Blogger Samurai has now moved to:
bushidoblog.wordpress.com
I do hereby accept Santa Christ as my Personal Lord and Savior!

One feels the anger coming from the strip all right, but what does it accomplish? When one witnesses the actions of Insanepoly, he is like a raving madman who just happens to say something that sounds true because it appears to conform to reality. Even if a raving madman speaks apparent truth, his word will not be taken as such, because of the fact that simply because the messenger kills the message.
His strokes fail to be precise, his anger is all over the place, not directed at all. He has a motif that he fails to follow through, given that he starts off with a dig at the film "300" that also attempts to make a statement about the perceived undercompensation of NSMen disabled in the course of training, and turns it by the end into a tasteless idea of politics in Singapore as a Manichean struggle between good and evil. The thing is: the dualistic and Manichean approach works well when one is writing genre fiction in the manner of "300", but there is a reason why it is genre fiction. It is genre fiction because the aesthetic approach that one finds in "300" does not necessarily dictate a workable one to solving the problems that lie in reality. Reality has its own problems, politics is often made a struggle even if it is not necessarily one, but the struggle is not about good and evil and no flowery rhetoric about "freemen against a tyrant" will ever change that. As such, in adopting an aesthetic mode that has no correspondence in reality, he instead undercuts the purpose of satire, which is to mask the reality in order to reveal it.
There has been no better piece of satire on class struggle ever written than that of "Animal Farm" by the immortal George Orwell. There is a reason why that book is top-rate satire, and this isn't. "Animal Farm" is not just a sophisticated allegory of Soviet history, unlike what some bastardized, CIA-funded cartoon films might have you think, but in fact an insightful view into human nature as well. In it, the pigs that lead the revolution against Farmer Jones soon come to exploit and mistreat the other animals in the same way that the farmers did. Yet at no time ever, does the book appear to reduce the humanity of the farmers at all, in fact, what the book shows is why those in power do what they do to keep it: the fear of loss, and the attraction of gain. And it does so in the most beautifully subtle manner.
And the reason why he can do it is because he is not angry. As such, he can make and present a clear-eyed analysis of the situation.
The tone of Orwell is never angry, his language brief and concise. He shows what happens rather than makes judgements about it. This is because he sees the nature of the problem, and not the appearance of the problem itself. The autocratic system that the pigs perpetuate and in a sense inherit from Farmer Jones, perpetuates the same traits in Farmer Jones that it does in them because they now get the same boons and perks that Jones did. Beds, apples and milk, human clothes and magazines and literacy etc.. Without checks, balances or an informed citizenry (the animals of the farm sadly deserve what they get, since they are mostly shown as a group of the jaded, the vain, the uneducated, the unthinking.) Animal Farm collapses into the same old order that once was again. Even Jones was never portrayed as a perpetually bad master, just that his personal problems (alcoholism) destroyed his ability to run the farm properly. Imagine, what an insight that is! In Jones' autocratic, person-driven system of running the farm, the problem of alcoholism causes the entire order to collapse! One man's problem becomes that of a whole group of people. If that isn't the most beautiful, clear-eyed analysis of what happens in personality-driven political systems, I have yet to read anything to better it. The motif is clear-eyed and well-followed, the farm is an analogy for a person-driven political system, its operational methods an analogy for entrepreneurial capitalism, the perpetrators and the perpetuators of such a system start out its victims, end its victors, and then become again, its victims.
This is the beauty that one can achieve when one does not, or refuses, to attack in anger. For a more recent example of the beauty of satire that come from not attacking in anger, we have to look at Stephen Colbert, whose appearance at the White House Correspondents' Dinner must count as one of the greatest examples of well-delivered deadpan satire ever. That will be a lesson that will take another post. Colbert, too reveals himself to be akin to a master swordsman in how he operates, and that will take a whole other post.
But overall I make my point, and thus I will come to
THE FIRST RULE OF BLOG BUSHIDO:
NEVER ATTACK IN ANGER.
Anger is above all things, the killer of wit, the killer of charm, the killer of what keeps people reading your blogs. If you have a salient point to be made, there is no need to be angry about it. Dress up the point instead with the gifts of warmth, humour and clear-eyed vision. That is something that I will touch on in a future post.
I shall end this post with a quote from a famous samurai:
"Mental bearing (calmness), not skill, is the sign of a matured samurai. "-Tsukahara Bokuden.






"Listen to me, Pal, you have GOTTA testify before the committee, we need to hear what you have to say!"
FROM Tuesday, visitors to The Straits Times' (ST) website will not have to pay to read the latest breaking news from Singapore and the world.
They can also post their views - in real time - on the reports they read.
One other major change: The site will drop its 12-year-old name, The Straits Times Interactive, or STI, and go with the cleaner 'straitstimes.com'.
Since becoming a subscription site in 2005, it has been offering only a small buffet of material for free:
1. ST's online forum letters;
2. Multimedia features, such as video news reports and podcasts;
3. A restricted selection of 20 reports from the print edition.
All other content, including breaking news and material picked up from the print edition of the newspaper itself, has been available only to subscribers in the past two years.
Explaining the move to open up more free-access content, ST editor Han Fook Kwang said: 'There's a great deal more we can do in the website to leverage on the award-winning talent in The Straits Times newsroom of writers, photographers, artists and designers. I think we've a good product and we want to make it available to more people in cyberspace, and to use the technology available on the web to make it an even better product.
Denial cannot hide the most likely truth of all, which is this:
So here is the Samurai Lesson of the day: Take A Walk! Whenever an argument seems lost or on the verge of losing, take a walk! Whenever a proposal is unreasonable, take a walk!
There is a lot of wisdom in taking a walk.
Because if you walk off early, others will realize that they have to catch up to you sooner or later.
Such is how to fight without fighting.